{"id":122,"date":"2018-11-09T14:57:47","date_gmt":"2018-11-09T13:57:47","guid":{"rendered":"http:\/\/cantocello.ddns.net\/?page_id=122"},"modified":"2026-03-16T21:44:19","modified_gmt":"2026-03-16T20:44:19","slug":"programme","status":"publish","type":"page","link":"https:\/\/cantocello.ddns.net\/?page_id=122","title":{"rendered":"R\u00e9pertoire"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>Felice Anerio <\/strong>(1560-1614)<strong><em><br \/>Christus factus est <\/em><\/strong>pour ch\u0153ur mixte (2\u201930\u2019\u2019)<\/p>\n<p style=\"text-align: left;\"><strong>John Dowland <\/strong>(1563-1626)<strong><em><br \/>Flow my tears <\/em><\/strong>arrangement pour ch\u0153ur et violoncelle (5\u2019)<\/p>\n<p><strong>Heinrich Sch\u00fctz<\/strong> (1585-1672)<br \/><em><strong>Herr, nun l\u00e4ssest du deinen Diener, SWV 281<\/strong><\/em>\u00a0pour ch\u0153ur et continuo (4&rsquo;40\u2019\u2019)<\/p>\n<p><strong>Marc-Antoine Charpentier<\/strong> (1643-1704)<strong><br \/><em>Psalmus David 109 H.197<\/em>, <\/strong><em><strong>Dixit Dominus<\/strong>\u00a0<\/em>pour ch\u0153ur et continuo (6\u2019)<\/p>\n<p><strong>Henry Purcell <\/strong>(1659-1695)<strong><em><br \/>When I am laid in earth,\u00a0 <\/em><\/strong>arrangement pour ch\u0153ur et violoncelle (4\u2019)<br \/><strong><em>Man that is born of a woman<\/em><\/strong>, extrait de\u00a0<em><em>Music for the Funeral of Queen Mary<\/em>, <\/em>Z.860, pour ch\u0153ur et\u00a0 continuo (3\u2019)<\/p>\n<p><strong>J.-S. Bach <\/strong>(1685-1750)<strong><br \/><em>Lobet den Herrn alle Heiden BWV 230<\/em><\/strong> pour ch\u0153ur et continuo (6\u2019)<\/p>\n<p class=\"style-scope ytd-watch-metadata\"><strong>Franti\u0161ek Ign\u00e1c Tuma<\/strong> (1704-1774)<strong><br \/><em>Stabat Mater<\/em><\/strong>, pour ch\u0153ur et continuo (20\u2019)<\/p>\n<div class=\"page\" title=\"Page 9\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p style=\"text-align: left;\"><strong>Michael Haydn <\/strong>(1737-1806) <strong><br \/><em>Tenebrae factae sunt <\/em><\/strong>pour ch\u0153ur mixte (4\u2019)<\/p>\n<p style=\"text-align: left;\"><strong>Felix Mendelssohn <\/strong>(1809-1847)<br \/><strong><em>Aspice Domine <\/em><\/strong><em>(Vespergesang)<\/em> voix d\u2019hommes et violoncelle (12\u2019)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p style=\"text-align: left;\"><strong>Anton Bruckner <\/strong>(1824-1896) <strong><br \/><em>Christus factus est <\/em><\/strong>pour ch\u0153ur mixte (6\u2019)<strong><em><br \/><\/em><\/strong><\/p>\n<p style=\"text-align: left;\"><strong>Charles Villiers Stanford <\/strong>(1852-1924)<strong><br \/><em>Trois motets, <\/em><\/strong>op. 38<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em><strong><br \/><\/strong><em>Justorum animae, Coelos ascendit hodie, Beati quorum via<\/em> (9\u2019)<\/p>\n<p style=\"text-align: left;\"><strong>Anton Arensky<\/strong> (1861-1906)<br \/><strong><em>Trois quatuors vocaux, <\/em><\/strong>op. 57 pour voix et violoncelle (8\u2019)<br \/><em>&#8211; Berceuse<\/em><br \/><em>&#8211; Aux \u00e9toiles mourantes<\/em><br \/><em>&#8211; La source chaude<\/em><\/p>\n<p><strong>Arthur Sullivan <\/strong>(1842-1900)<strong><br \/><em>The Long Day Closes<\/em><\/strong><em>\u00a0<\/em>pour ch\u0153ur (4\u2019)<\/p>\n<p><b>Benjamin Britten <\/b>(1913-1976)<br \/><strong><em>A Hymn<b> To The Virgin <\/b><\/em><\/strong>pour ch\u0153ur (3&rsquo;45\u00a0\u00bb)<\/p>\n<p><strong>Knut Nystedt <\/strong>(1915-2014)<strong><br \/><em>Stabat Mater <\/em><\/strong>pour ch\u0153ur mixte et violoncelle (15\u2019)<\/p>\n<p><strong>Arvo P\u00e4rt<\/strong>\u00a0(1935- )<br \/><em><strong>Virgencita<\/strong><\/em>\u00a0(2012) pour ch\u0153ur mixte (6\u2019)<br \/><strong><em>Morning Star <\/em><\/strong>(2007) pour ch\u0153ur mixte (3\u2019)<\/p>\n<p><strong>Karl Jenkins <\/strong>(1944- )<br \/><strong><em>Ave Maria<\/em> <\/strong>(2014) motet pour ch\u0153ur mixte (4\u2019)<br \/><strong><em> And The Mother Did Weep <\/em>\u00a0<\/strong>(2008) pour ch\u0153ur mixte (5&rsquo;45&rsquo;\u2019)<\/p>\n<p><strong>John Tavener <\/strong>(1944- )<br \/><strong><em>The Lamb<\/em> <\/strong>(1982)\u00a0 pour ch\u0153ur mixte (4\u2019)<\/p>\n<p><strong>Rudi Tas<\/strong> (1957- )<br \/><em><strong>Miserere<\/strong><\/em> pour ch\u0153ur mixte et violoncelle (10\u2019)<\/p>\n<p><strong>Frank Ticheli<\/strong> (1958- )<br \/><em><strong>Earth Song <\/strong><\/em>pour ch\u0153ur mixte (4\u2019)<\/p>\n<p><strong>Pascal Desarzens <\/strong>(1963- )<strong><br \/><em>Ainsi les tourments puis viennent les tournoiements <\/em><\/strong>pour ch\u0153ur et violoncelle (13\u2019)<em><br \/>Commande de l&rsquo;ensemble Cantocello (cr\u00e9ation juin 2023)<\/em><\/p>\n<p><strong>Rihards Dubra<\/strong> (1964- )<strong><br \/><em>O Crux Ave\u00a0<\/em><\/strong>pour ch\u0153ur mixte (2&rsquo;30\u2019\u2019)<\/p>\n<p><b>Becky Mc <\/b><b>Glade<\/b> (1974- )<strong><br \/><em>The Oak <\/em><\/strong>(pour ch\u0153ur et violoncelle (3\u201930\u2019\u2019)<\/p>\n<p><strong>Ola Gjeilo <\/strong>(1978- )\u00a0<br \/><strong><em>Serenity<\/em> (<em>O Magnum Mysterium<\/em>) <\/strong>pour ch\u0153ur et violoncelle (5\u201930\u2019\u2019)<\/p>\n<p><strong>Dan Forrest <\/strong>(1978- )<br \/><strong><em>The Sun never says <\/em><\/strong>pour ch\u0153ur et violoncelle (4\u201930\u2019\u2019)<br \/><strong><em>Good Night<\/em><\/strong> pour ch\u0153ur mixte (4\u2019)<\/p>\n<p><strong>Zebulon M. Highben <\/strong>(1979- )<br \/><strong><em>Christus est Stella Matutina <\/em><\/strong>pour ch\u0153ur et violoncelle (4\u201940\u2019\u2019)<\/p>\n<p><b>Matthew Coleridge <\/b>(1980- )<b><strong><br \/><em>And I Saw a New Heaven <\/em><\/strong><\/b>pour soprano, ch\u0153ur et violoncelle (7&prime;)<\/p>\n<p><b>Jacob Narverud\u00a0<\/b>(1986- )<strong><br \/><em>Sunflower <\/em><\/strong>pour ch\u0153ur et violoncelle (4\u201940\u2019\u2019)<\/p>\n<p><b>David von Kampen <\/b>(1986- )<strong><br \/><em>David&rsquo;s Lamentation <\/em><\/strong>pour ch\u0153ur et violoncelle (5\u2019)<\/p>\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Felice Anerio (1560-1614)Christus factus est pour ch\u0153ur mixte (2\u201930\u2019\u2019) John Dowland (1563-1626)Flow my tears arrangement pour ch\u0153ur et violoncelle (5\u2019) Heinrich Sch\u00fctz (1585-1672)Herr, nun l\u00e4ssest du deinen Diener, SWV 281\u00a0pour ch\u0153ur et continuo (4&rsquo;40\u2019\u2019) Marc-Antoine Charpentier (1643-1704)Psalmus David 109 H.197, Dixit Dominus\u00a0pour ch\u0153ur et continuo (6\u2019) Henry Purcell (1659-1695)When I am laid in earth,\u00a0 arrangement [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-122","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cantocello.ddns.net\/index.php?rest_route=\/wp\/v2\/pages\/122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cantocello.ddns.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cantocello.ddns.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cantocello.ddns.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cantocello.ddns.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=122"}],"version-history":[{"count":0,"href":"https:\/\/cantocello.ddns.net\/index.php?rest_route=\/wp\/v2\/pages\/122\/revisions"}],"wp:attachment":[{"href":"https:\/\/cantocello.ddns.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}